Studio-room

PREMISES

Studio Room

The Studio-Room is the largest and, at the same time, most acoustically neutral space in the complex. However, it is equipped with acoustic screens that provide great variability of environments and separation between instruments. It could be considered a Live End-Dead End room as each end of the room has a markedly different acoustic character, with a huge acoustic trap running the width of the room (7m) and height (4m), while on the opposite side, a whole wall finished in rough stone gives it a slightly livelier response that is further complemented by the extension of the Stone-Room. The Studio-Room, itself, is interconnected with the Stone-Room and with the Control-room, making it possible to operate guitar or bass amplifiers from the Control-room, or send instrument signals, MIDI, AES or SPDIF digital, Video, Word Clock or simply audio to any of them. The Studio-Room has a large window to the outside, with total acoustic and thermal insulation, which allows for the daylight to flood the space. The room has a supply ventilation system with variable speed, and air conditioning.

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Our Premises:

Control Room:

Designed in 1997 by Philip Newell and built by the Reflexion Arts team

Studio Room

It is the largest and, at the same time, most acoustically neutral space in the complex

Stone room:

One of the most famous stone halls built in the world, with a quite irregular geometry

Machine room:

Space where all equipment likely to produce noise is located

If you have any question. Contact us

Equipment

Equipment

We have a wide variety of high-tech equipment.

Sound quality

Sound quality

We make sure that every project has exceptional sound quality.

Instruments

Instruments

The quality of our musical instruments is an essential part.

Premises

Premises

Equipped and soundproofed spaces to guarantee high quality sound.